{"id":1279,"date":"2018-03-28T18:38:49","date_gmt":"2018-03-28T21:38:49","guid":{"rendered":"https:\/\/cstm-sctm.ca\/?p=1279"},"modified":"2018-03-28T18:46:01","modified_gmt":"2018-03-28T21:46:01","slug":"musicultures-44-1-generational-frictions-in-the-musical-ethnography-of-south-asia","status":"publish","type":"post","link":"https:\/\/cstm-sctm.ca\/fr\/musicultures-44-1-generational-frictions-in-the-musical-ethnography-of-south-asia\/","title":{"rendered":"MUSICultures 44-1: Generational Frictions in the Musical Ethnography of South Asia"},"content":{"rendered":"

\"\"<\/p>\n

We are very pleased to announce the publication of the most recent issue of MUSICultures (44-1), a special issue on Generational Frictions in the Musical Ethnography of South Asia guest edited by Dr. Margaret E. Walker (Queen’s University) and Dr. Kaley Mason (Lewis & Clark College).<\/p>\n

This issue is available<\/a> to current members of the Canadian Society for Traditional Music (non-members can freely access issues more than 3 years old). Or become a member – it’s easy<\/a>! Or check your library for access.<\/p>\n

CONTENTS<\/h3>\n

KALEY MASON and MARGARET E. WALKER
\nSituating Generational Frictions in Musical Ethnography of South Asia<\/p>\n

CAROL BABIRACKI
\nTwo Generations in the Fault Lines of India\u2019s Musical Modernities<\/p>\n

REHANNA KHESHGI
\nNavigating Generational Frictions through Bihu Festival Performance in Assam, India<\/p>\n

ANAAR DESAI-STEPHENS
\nThe Age of Aspiration? Music Classes and the Limits of Gendered Self-transformation in Mumbai<\/p>\n

RAKAE JAMIL
\nGenerations of Audio Work through the Digital Turn in Contemporary Pakistan<\/p>\n

ADRIAN McNEIL
\nGenerational Friction: An Ethnographic Perspective on Guru Seva<\/em>\u00a0within a Lineage of Tabla Players in Kolkata<\/p>\n

TIZIANA LEUCCI
\nLa danse en Inde du sud, entre conflits g\u00e9n\u00e9rationnels, identitaires, de genre et de caste<\/p>\n

SITARA THOBANI
\nProjects of Reform: Indian Classical Dance and Frictions of Generation and Genre<\/p>\n

JEFF ROY and PAVITHRA PRASAD
\nEthnomusicology and Performance Studies: Towards Interdisciplinary Futures of Indian Classical Music<\/p>\n

DANIEL M. NEUMAN
\nA Khandani<\/em>\u00a0Perspective: Room for a (Long) View<\/p>\n

BOOK REVIEWS \/ COMPTES RENDUS DE LIVRES<\/h3>\n

NILANJANA BHATTACHARJYA
\nJayson Beaster-Jones.\u00a0Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song\u00a0<\/em><\/p>\n

JUSTIN ADAMS BURTON
\nFernando Orejuela. Rap and Hip Hop Culture\u00a0<\/em><\/p>\n

ROXANE CAMPEAU
\nVictoria Lindsay Levin et Philip V. Bohlman, dirs. This Thing Called Music: Essays in Honor of Bruno Nettl<\/em><\/p>\n

DOMINIQUE O. CYRILLE
\nClaude Dauphin. Histoire du style musical d \u2019 Ha\u00efti\u00a0<\/em><\/p>\n

RECORDING REVIEWS \/ COMPTES RENDUS D\u2019 ENRGISTREMENTS<\/h3>\n

MARIE-PIERRE LISSOIR
\nArchives internationales de musique populaire et Mus\u00e9e d \u2019 ethnographie de Gen\u00e8ve. Laos : Musique des Khmou\u00a0<\/em><\/p>\n

DAMIEN VERRON
\nSherry Johnson, dir. Soufflets et Archets: Enregistrements historiques de musique traditionnelle pour violon et accord\u00e9on du Canada\u00a0<\/em><\/p>\n

WEBSITE REVIEWS \/ COMPTES RENDUS DE SITES INTERNETS<\/h3>\n

LAURON KEHRER
\nDana Gorzelany-Mostak and James Deaville, eds. Trax on the Trail <\/em>(http:\/\/www.traxonthetrail.com<\/a>)<\/p>","protected":false},"excerpt":{"rendered":"

We are very pleased to announce the publication of the most recent issue of MUSICultures (44-1), a special issue on Generational Frictions in the Musical Ethnography of South Asia guest…<\/p>","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76],"tags":[],"class_list":["post-1279","post","type-post","status-publish","format-standard","hentry","category-publications"],"_links":{"self":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/1279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/comments?post=1279"}],"version-history":[{"count":0,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/1279\/revisions"}],"wp:attachment":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/media?parent=1279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/categories?post=1279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/tags?post=1279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}