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We are very pleased to announce the publication of the most recent issue of MUSICultures (44-2), a special issue on Singers and Songs of Social Protest guest edited by Dr. Aileen Dillane and Martin J. Power (both of the University of Limerick).<\/p>\n
Les membres du SCTM ont acc\u00e8s \u00e0 la version en ligne de la revue<\/a>. Si vous n\u2019\u00eates pas d\u00e9j\u00e0 membre, c\u2019est facile de le devenir!<\/a><\/p>\n <\/p>\n Vous trouverez le sommaire de ce num\u00e9ro sp\u00e9cial ci-dessous :<\/p>\n MARTIN J. POWER and AILEEN DILLANE ILLA CARRILLO RODR\u00cdGUEZ MARTIN J. POWER, AILEEN DILLANE, and EOIN DEVEREUX GEOFFROY COLSON JADA WATSON JULIE RICKWOOD SHAWN M. HIGGINS KATE GALLOWAY MONIQUE DESROCHES ANNA MORCOM BART VANSPAUWEN JOSHUA GREEN DENIS-CONSTANT MARTIN ANTHONY GR\u00c9GOIRE We are very pleased to announce the publication of the most recent issue of MUSICultures (44-2), a special issue on Singers and Songs of Social Protest guest edited by Dr.…<\/p>","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76],"tags":[],"class_list":["post-1400","post","type-post","status-publish","format-standard","hentry","category-publications"],"_links":{"self":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/1400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/comments?post=1400"}],"version-history":[{"count":2,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/1400\/revisions"}],"predecessor-version":[{"id":1404,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/1400\/revisions\/1404"}],"wp:attachment":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/media?parent=1400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/categories?post=1400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/tags?post=1400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nIntroduction: Songs and Singers of Social Protest<\/p>\n
\nBack from Exile:\u00a0Nueva Canci\u00f3n\u00a0<\/em>et\u00a0Canci\u00f3n Protesta\u00a0<\/em>as Cultural Heritage in Early 1980s Argentina<\/p>\n
\n\u201cYou\u2019ll Never Kill Our Will To Be Free\u201d: Damien Dempsey\u2019s \u201cColony\u201d as a Critique of Historical and Contemporary Colonialism<\/p>\n
\nFrom Pacific Resistance to\u00a0pacific resistance<\/em>: Expressions of M\u0101\u02bbohi-ness in Contemporary Tahitian Popular Music<\/p>\n
\n\u201cIf They Blow a Hole in the Backbone\u201d: Sarah Harmer\u2019s Campaign to Protect the Niagara Escarpment<\/p>\n
\nLament, Poetic Prayer, Petition, and Protest: Community Choirs and Environmental Activism in Australia<\/p>\n*** BOOK REVIEWS<\/h4>\n
\nNoriko Manabe.\u00a0The Revolution Will Not Be Televised: Protest Music After Fukushima<\/em><\/p>\n
\nReview Essay: Huib Schippers and Catherine Grant, eds.\u00a0Sustainable Futures for Music Cultures: An Ecological Perspective<\/em>;\u00a0\u00a0Aaron S. Allen and Kevin Dawe, eds.\u00a0Current Directions in Ecomusicology: Music, Culture, Nature<\/em><\/p>\n
\nPeter Manuel.\u00a0Tales, Tunes and Tassa Drums: Retention and Innovation in Indo-Caribbean Music<\/em><\/p>\n
\nAnna Marie Stirr.\u00a0Singing Across Divides: Music and Intimate Politics in Nepal<\/em><\/p>\n
\nDerek Pardue.\u00a0Cape Verde, Let\u2019s Go: Creole Rappers and Citizenship in Portugal<\/em><\/p>\n
\nAmber R. Clifford-Napoleone.\u00a0Queerness in Heavy Metal Music: Metal Bent<\/em><\/p>\n
\nGavin Steingo.\u00a0Kwaito\u2019s Promise, Music, and the Aesthetics of Freedom in South Africa<\/em><\/p>\n
\nCharlotte Poulet et Nicolas B\u00e9nard, dir.\u00a0Chant pens\u00e9, chant v\u00e9cu, temps chant\u00e9\u00a0: Formes, usages et repr\u00e9sentations des pratiques vocales<\/em><\/p>","protected":false},"excerpt":{"rendered":"