{"id":3456,"date":"2026-09-10T19:46:28","date_gmt":"2026-09-10T22:46:28","guid":{"rendered":"https:\/\/cstm-sctm.ca\/?p=3456"},"modified":"2026-09-10T19:46:28","modified_gmt":"2026-09-10T22:46:28","slug":"call-for-papers-appel-a-communication-musicultures-2027","status":"publish","type":"post","link":"https:\/\/cstm-sctm.ca\/fr\/call-for-papers-appel-a-communication-musicultures-2027\/","title":{"rendered":"Call for Papers \/ appel \u00e0 communication \u2013 MUSICultures 2027"},"content":{"rendered":"<p><em>le fran\u00e7ais suit<\/em><\/p>\n<p><em>Intersections<\/em> et <em>MUSICultures<\/em> invite articles for our joint Fall 2027 issue. This joint issue will explore music studies in Canada at the present historical moment, both what it means to be a scholar of music (across the spectrum of musicology and ethnomusicology and beyond) and what is happening musically, here and now.<\/p>\n<p>Our issue will feature articles developed from work presented at the Coming Together at the Crossroads: Music Study in Canada in 2026 conference, held at the University of Manitoba in May 2026. The conference brought together scholars from across music disciplines and offered a powerful window on the situation of music and music studies in Canada and by Canadians at present, and also a set of creative dialogues on where it might go.<\/p>\n<p>The conference pointed to the importance of distinctly Canadian networks and spaces for music study within our rapidly shifting geopolitical, ecological\/technological, and academic contexts; and also to the central roles that Indigenous voices, Canadian linguistic and regional diversities, and Newcomer and diasporic perspectives play in Canadian music studies across disciplines.<\/p>\n<p>We therefore invite submissions:<\/p>\n<ul>\n<li>of articles of about 5000-7000 words in length; and of alternative formats, such as dialogues or edited interviews, communications with responses, position papers, visual pieces (such as posters), or multimedia projects<\/li>\n<li>in French or English\n<ul>\n<li><em>We see it as vital to include both French- and English-language scholarship, and we offer editorial support for articles in either language and for the translation of abstracts and keywords so as to engage our multilingual readerships with your work. <\/em><\/li>\n<\/ul>\n<\/li>\n<li>developed from work presented at Crossroads, and representing the diversity of voices, disciplines, and perspectives in music scholarship in Canada at this time<\/li>\n<li>formatted according to <em>MUSICultures<\/em>\u2019 or <em>Intersections<\/em>\u2019 specifications<\/li>\n<\/ul>\n<p>Complete article manuscripts are due by December 1, 2026. They should be submitted using <em>Intersections<\/em>\u2019 submission platform. Submitted articles will be received by the editorial teams of <em>Intersections<\/em> et <em>MUSICultures<\/em>, and peer-reviewed by members of both MusCan and the Canadian Society for Traditional Music (the disciplinary societies producing our two journals).<\/p>\n<p>If you have questions about or ideas for this joint issue, please reach out to the two journals\u2019 editors:<\/p>\n<ul>\n<li>Colleen Renihan (Queen\u2019s University): intersections@muscan.org<\/li>\n<li>Ariane Couture (Universit\u00e9 de Sherbrooke): intersections_fr@muscan.org<\/li>\n<li>Meghan Forsyth (Memorial University of Newfoundland): musicultures@cstmsctm.ca<\/li>\n<li>Jonathan Dueck (Canadian Mennonite University): musicultures@cstm-sctm.ca<\/li>\n<\/ul>\n<p>Both the Crossroads conference and our jointly published <em>Intersections \/ MUSICultures<\/em> issue are supported by the Social Sciences and Humanities Research Council of Canada.<\/p>\n<p>***<\/p>\n<p><strong>Appel \u00e0 contributions<\/strong><\/p>\n<p><em>Intersections<\/em> et <em>MUSICultures<\/em> lancent un appel \u00e0 soumettre des articles pour leur num\u00e9ro conjoint de l\u2019automne 2027. Ce dernier explorera les \u00e9tudes en musique au Canada en cette p\u00e9riode historique, ce que signifie la sp\u00e9cialisation en musique (en musicologie, en ethnomusicologie et au-del\u00e0) et ce qui se passe dans le domaine \u00e0 l\u2019heure actuelle.<\/p>\n<p>Notre num\u00e9ro pr\u00e9sentera des articles \u00e9labor\u00e9s \u00e0 partir des pr\u00e9sentations du congr\u00e8s Se rencontrer \u00e0 la crois\u00e9e des chemins : l\u2019\u00e9tude de la musique au Canada en 2026 qui s\u2019est tenu \u00e0 l\u2019Universit\u00e9 du Manitoba en mai 2026. Le congr\u00e8s, r\u00e9unissant chercheur.es et sp\u00e9cialistes de diverses disciplines li\u00e9es \u00e0 la musique, a oJert un \u00e9clairage saisissant sur le contexte actuel et les \u00e9tudes en musique au Canada et pour les Canadiens et Canadiennes. Cet \u00e9v\u00e9nement a \u00e9galement servi de toile de fond \u00e0 une s\u00e9rie d\u2019\u00e9changes anim\u00e9s sur l\u2019avenir de la musique.<\/p>\n<p>Le congr\u00e8s a mis en lumi\u00e8re l\u2019importance de r\u00e9seaux enracin\u00e9s dans un contexte canadien et l\u2019espace pour les recherches en musique dans un paysage g\u00e9opolitique, \u00e9cologique, technologique et acad\u00e9mique en \u00e9volution acc\u00e9l\u00e9r\u00e9e. Cette occasion a permis d\u2019explorer en profondeur l\u2019influence des r\u00f4les de premier plan jou\u00e9s par les Premi\u00e8res Nations, les diversit\u00e9s linguistiques et r\u00e9gionales canadiennes, les personnes nouvellement arriv\u00e9es et les diasporas dans toutes les disciplines li\u00e9es \u00e0 la musique au Canada.<\/p>\n<p>Nous lan\u00e7ons donc un appel \u00e0 soumettre :<\/p>\n<ul>\n<li>des articles comptant environ 5000 \u00e0 7000 mots ; et en formats alternatifs, par exemple, dialogues ou entrevues \u00e9dit\u00e9es, communications avec r\u00e9ponses, textes de r\u00e9flexion, \u00e9l\u00e9ments visuels (comme des affiches) ou projets multim\u00e9dias<\/li>\n<li>en fran\u00e7ais ou en anglais\n<ul>\n<li><em>Nous tenons fermement \u00e0 pr\u00e9senter les travaux en fran\u00e7ais et en anglais et offrons le soutien \u00e9ditorial dans les deux langues pour la traduction des r\u00e9sum\u00e9s et des mots-cl\u00e9s afin de favoriser le dialogue entre notre lectorat multilingue et votre publication.<\/em><\/li>\n<\/ul>\n<\/li>\n<li>\u00e9labor\u00e9s \u00e0 la suite des pr\u00e9sentations au congr\u00e8s Se rencontrer \u00e0 la crois\u00e9e des chemins, et repr\u00e9sentatifs de la diversit\u00e9 des voix, des disciplines et des perspectives des \u00e9tudes en musique au Canada actuellement<\/li>\n<li>mis en forme conform\u00e9ment aux exigences de <em>MUSICultures<\/em> ou d\u2019<em>Intersections<\/em>.<\/li>\n<\/ul>\n<p>Les articles complets doivent \u00eatre soumis avant le 1er d\u00e9cembre 2026 sur la plateforme de soumissions du site d\u2019<em>Intersections<\/em>. Les \u00e9quipes \u00e9ditoriales d\u2019<em>Intersection<\/em> et de <em>MUSICultures<\/em> recevront les articles soumis, qui feront ensuite l\u2019objet d\u2019une \u00e9valuation par les pairs compos\u00e9s de membres de MusCan et de la Soci\u00e9t\u00e9 canadienne pour les traditions musicales (les soci\u00e9t\u00e9s savantes \u00e0 l\u2019origine de nos deux revues).<\/p>\n<p>Pour toute question ou id\u00e9e concernant le num\u00e9ro conjoint, veuillez communiquer avec les r\u00e9dacteur.rices en chef des deux revues :<\/p>\n<ul>\n<li>Colleen Renihan (Universit\u00e9 Queen\u2019s) : intersections@muscan.org<\/li>\n<li>Ariane Couture (Universit\u00e9 de Sherbrooke) : intersections_fr@muscan.org<\/li>\n<li>Meghan Forsyth (Universit\u00e9 Memorial de Terre-Neuve) : musicultures@cstmsctm.ca<\/li>\n<li>Jonathan Dueck (Universit\u00e9 mennonite canadienne) : musicultures@cstmsctm.ca<\/li>\n<\/ul>\n<p>Notre congr\u00e8s Se rencontrer \u00e0 la crois\u00e9e des chemins et le num\u00e9ro conjoint d\u2019<em>Intersections<\/em> \/ <em>MUSICultures<\/em> sont soutenus par le Conseil de recherches en sciences humaines du Canada.<\/p>","protected":false},"excerpt":{"rendered":"<p>le fran\u00e7ais suit Intersections and MUSICultures invite articles for our joint Fall 2027 issue. This joint issue will explore music studies in Canada at the present historical moment, both what&hellip;<\/p>","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-3456","post","type-post","status-publish","format-standard","hentry","category-news-updates"],"_links":{"self":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/3456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/comments?post=3456"}],"version-history":[{"count":1,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/3456\/revisions"}],"predecessor-version":[{"id":3457,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/posts\/3456\/revisions\/3457"}],"wp:attachment":[{"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/media?parent=3456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/categories?post=3456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cstm-sctm.ca\/fr\/wp-json\/wp\/v2\/tags?post=3456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}